All NLEs today can edit video with professional results. The primary difference is in HOW they edit – the interface. This three-session bundle explores how Adobe Premiere Pro and Apple Final Cut Pro editors can use DaVinci Resolve 17 to augment the tools in their existing NLE.

Our three-part look at DaVinci Resolve 17 concludes with an exploration of the Fairlight audio mixing page. The audio tools in Fairlight are among the best and, in this session, Larry Jordan shows you how they work.

Our look at DaVinci Resolve 17 continues with an overview of the Color page for color grading. Join Larry Jordan as he illustrates key features in the Color page, and how to round-trip projects between Premiere or Final Cut and Resolve.

In the latest version of DaVinci Resolve, Blackmagic Design introduced the Cut page, an interface designed for high-speed, fast-turnaround editing. In this webinar, Larry Jordan covers all the basic features from import to final output of the DaVinci Resolve Cut page.